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DTSTART:20180325T010000
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DTSTART:20181028T010000
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DTSTART;TZID=Europe/London:20181113T193000
DTEND;TZID=Europe/London:20181113T210000
DTSTAMP:20260418T121503
CREATED:20180828T205551Z
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UID:281-1542137400-1542142800@davarbristol.co.uk
SUMMARY:Belonging and belongings:  Jewish poetry in the UK today
DESCRIPTION:What does it mean to be a Jewish poet?  Can a non-Jew\, like Micheal O’Siadhail\, write about the Holocaust? (See The Gossamer Wall\, Bloodaxe 2002).  Maybe the Irish and the Jews have enough in common to be able to immerse themselves in each other’s histories.  Does  a writer and in particular a poet have to belong somewhere before they can write?  Who do their poems belong to?  What part do journals like Jewish Renaissance and the Jewish Quarterly play in keeping alive the identity of Jewish poets and poetry. How important are Jewish poets like Aviva Dautch\, Poet in Residence at the Jewish Museum in London\, who also works with refugees getting them to write poetry? \nLiz Cashdan is a poet and teaches Creative Writing for the Open College of the Arts. She is former Chair of the National Association of Writers in Education. She also teaches Creative Writing for the Folk House in Bristol and in schools.  She is Poetry Editor of Jewish Renaissance and in 1996 won the Jewish Quarterly poetry prize with her historical sequence\, The Tyre-Cairo Letters based on a fragment from the Cairo Geneza   She has an MA in History from Oxford and a PhD in Literature from Sheffield Hallam University.  Her latest collection is Things of Substance: New and Selected Poems (Five Leaves Publications 2013). \nShare this:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window)Click to email a link to a friend (Opens in new window)Click to print (Opens in new window)
URL:https://davarbristol.co.uk/event/belonging-and-belongings-jewish-poetry-in-the-uk-today/
LOCATION:Redland Green Bowling Club\, Redland Green Road\, Redland\, BS6 7HE
CATEGORIES:poetry,Talk
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DTSTART;TZID=Europe/London:20180213T193000
DTEND;TZID=Europe/London:20180213T210000
DTSTAMP:20260418T121503
CREATED:20180114T083704Z
LAST-MODIFIED:20180211T170945Z
UID:241-1518550200-1518555600@davarbristol.co.uk
SUMMARY:No poetry after Auschwitz
DESCRIPTION:  \nStarting with Theodor Adorno’s much-quoted proposition that ‘After Auschwitz it is barbaric to write poetry’\, this talk will explore the tension between confronting the reality of the Holocaust and responding artistically through the medium of poetry to human experience. By focusing on individual poems by survivors such as Paul Celan and Primo Levi and English-language poets such as Anthony Hecht\, Michael Longley and Carol Ann Duffy\, the talk will tentatively consider how necessary poetry remains in the modern world. Examples of poems will be provided and can be found in the anthology\, “Holocaust Poetry”\, edited by Hilda Schiff. \nPhilip Lyons is a teacher and poet who lives in Bristol. He has taught creative writing and literary studies in a variety of settings\, including universities\, prisons and psychiatric hospitals. Since completing a PhD on Literary and Theological Responses to the Holocaust at the University of Bristol in 1988\, he has also worked in the fields of advice and guidance\, mental health\, and adult education. He is the author of one full-length collection\, “Like It Is” (Poetry Space\, 2011)\, and he has given readings throughout the South West\, including the Wells Festival of Literature and the Thornbury Arts Festival. \nShare this:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window)Click to email a link to a friend (Opens in new window)Click to print (Opens in new window)
URL:https://davarbristol.co.uk/event/no-poetry-after-auschwitz/
LOCATION:Redland Green Bowling Club\, Redland Green Road\, Redland\, BS6 7HE
CATEGORIES:holocaust,poetry,Talk
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