Directly after the burning bush scene, G-d inexplicably tries to kill Moses (Exodus 4:24-26). Fortunately, Moses’ life is saved by Zipporah’s enigmatic “Bridegroom of Blood” ritual. Commentators both ancient and modern have proposed many solutions by filling in the gaps, proposing reasons such as Moses’ failing courage or procrastination. But what did this episode mean in its original setting? This talk will look at how G-d’s attempt on Moses’ life is better understood in the broader historical context of ancient medicine. In this talk, Dr Askin will draw upon recent research from her current project, Medicine in Ancient Israel and Early Judaism, to explore how and why the Bible’s portrayals of medicine and healing seems so mysterious and distant to us.
Dr Lindsey A. Askin is Lecturer in Jewish Studies, University of Bristol. She is the author of Scribal Culture in Ben Sira (Brill, 2018), which is based on her doctoral thesis (University of Cambridge, 2012-16). Her research interests include mental illness and medicine in the Bible and ancient Judaism, scribal culture and literacy, Ben Sira, the Dead Sea Scrolls, and the Book of Jubilees.
Following eleven modern-day Jewish bikers on an epic journey from Tel-Aviv to Berlin, crossing nine European countries and 4,500 km in twenty-four days. Their mission, to deliver the Maccabi torch to Hitler’s infamous 1936 Olympic stadium, for the opening ceremony of the 2015 European Maccabiah Games. These riders follow in the tracks of the early 1930s’ bikers who set out from Tel Aviv to all corners of Europe. En route, each country holds a chilling resonance for our motor-cycling Holocaust survivors, descendants of survivors and the grandson of a 1930s Maccabiah Rider. Stories of defiance and survival are revealed, as well as those of horrifying tragedy. As resurgent populism and anti-Semitism once again rear their ugly heads, this film brings an important message through the voice of those who have been personally affected by one of the darkest pages in human history. This isn’t simply a “Jewish” story. It is the story of people overcoming the worst from fellow man to restate our common humanity.
There have been two projects in Cardiff over the last 10 years that have used oral history to capture the stories of the Cardiff Jewish community, as well as preserving written records. The talk will look at how we went about it and some of the advantages of oral history, and will give some fascinating snippets from the stories people had to tell. It will also look at what we learnt about identity and belonging and the diversity of experience of the community, from the last Barmitzvah in a synagogue in Cologne ten days before Kristallnacht to the first Jewish wedding in Kidwelly, a village in West Wales.
Colin Heyman was involved in the Hineni Oral History project which started the work in 2009 and John Minkes of the Jewish History Association of South Wales has continued the work over the last three years. In our other lives, Colin is a trainer and facilitator, John a retired criminologist. Our other joint activity is going to see Cardiff City play
Last year this film was sold out, so we are reshowing it. Canadian director Christian Duguay explores the horrors of World War Two from the perspective of two young Jewish boys living in Nazi-occupied France in Un Sac de Billes (A Bag of Marbles). The drama takes place in the Orthodox Jewish community of north London. Based on the acclaimed memoirs of the same name by Joseph Joffo, A Bag of Marbles is a lavishly shot production that is brilliantly acted and is a gut-wrenching reminder of one of history’s darkest chapters. Following the fall of Paris to Nazi Germany during World War II, brothers Maurice (Batyste Fleurial) and Joseph (Dorian Le Clech) are forced to leave their close-knit Jewish family behind for the free-zone along the French Riviera.
Despite the grim war scenes and the dark subject matter, Duguay has created a lavishly shot film that boasts stunning cinematography, lush locations and beautiful period costumes. The film beautifully balances the high stake tension with some sweet and endearing moments between the two brothers and celebrates their innocence. While the film is a dark reminder of a terrible page in our history, its heart-warming story reminds us that there are still good people in our darkest moments (modified from Daniele Foti-Cuzzola)
During the second war German Jews living in Britain were classified as enemy aliens, and in 1940 many were interned in camps on the Isle of Man. These included David Memel’s father and father in law, and David has recently visited the sites of the camps. He will discuss the historical background to the internments, and the experiences of internees, mainly based on the accounts of his family. Despite the loss of freedom, many interesting experiences resulted, including living with a famous artist and a lion tamer.
David Memel was chair of Limmud Bristol South West 2018 and is a committee member of Davar. He is a retired GP.
The question of whose disobedience, and what kind of disobedience it is, are at the heart of this absorbing and moving love story from Chilean director Sebastián Lelio based on the novel by Naomi Alderman. The drama takes place in the Orthodox Jewish community of north London. Weisz is Ronit, a young photographer evidently living a fashionable and bohemian lifestyle in New York. Out of the blue, she receives some bad news from back home that her father, a much-respected rabbi, has died. Ronit’s return resurrects her past relationships with Dovid (Alessandro Nivola), her father’s favourite pupil, who is now a much admired young rabbi himself. The other is with Esti, beautifully played by Rachel McAdams, who was Ronit’s only ally in youthful rebelliousness back in the day. This is a richly satisfying and powerfully acted work. (modified from Peter Bagshaw, Guardian)
10 years ago, after a series of seemingly disparate coincidences, Judy Rodrigues began a journey into 300 years of East End London Jewish history, which led her back through her grandfather’s Sephardic Marrano Jewish roots to Portugal and Northern Spain As an artist, the histories and stories became part of ‘life being lived’ as they began to permeate, enrich and expand the poetic metaphors of experience and place through her work. The journey became as much a search for the sense of a lost community, as that of an individual identity.
Judy Rodrigues is an artist working in contemporary contexts with a studio at Spike Island, Bristol. In 2008 she was awarded a residency grant in Mertola, Portugal followed by an exhibition in Porto. In 2014 she received an Arts Council grant to work in Isle of Wight and exhibited in Dimbola Lodge, once home of the photographer Julia Margaret Cameron. In 2017 she exhibited in Pico Island, Azores and then worked on a collaborative publication with Portuguese poet Jose Efe. Their book, In Pico, will be launched Jan 2019.
Professor Eliezer Shkolnik, an elderly Talmudic scholar, whose long career has never amounted to much, has always been eclipsed by his middle-aged son – Professor Uriel Shkolnik, also a Talmudic specialist – who has been showered with all the awards and fellowships that he himself yearned for. The older man must now reconcile himself to being a footnote in his son’s life. Then, one day, a sensational piece of news turns everything upside down. Joseph Cedar’s Israeli movie Footnote is a sprightly, shrewd and ingenious black comedy of middle age and disappointed ambition. (modified from Peter Bradshaw, Guardian)
Israel 2011, 107 mins, Hebrew with sub-titles
Directed by Joseph Cedar and starring Shlomo Bar’aba and Lior Ashkenazi
The Jewish Influence on the British film industry and screening of The Man Who Got Carter, a documentary about the Jewish film producer Michael Klinger
This event, part of the Jewish Historical Society’s Jewish History Month, jointly hosted by JHSE, Watershed, UWE and DAVAR will occur at the Watershed. It will provide a unique insight into the potent influence of Jewish entrepreneurs and film-makers on the UK’s film industry. Prof. Andrew Spicer (UWE) will give an overview of how Jewish exhibitors, distributors and producers shaped the evolution of the British film industry from its beginning to the present. Film-maker and writer Tony Klinger will introduce the feature-length documentary, The Man Who Got Carter, about his father, Michael Klinger, a highly successful independent producer from 1960 to the early 1980s whose most famous film was Get Carter (1971). The documentary will be followed by a Q and A session.
Tickets available via Watershed www.watershed.co.uk
Box Office: 0117 927 5100, 1 Canons Road, Harbourside, Bristol BS1 5TX
At the heart of growing fundamentalism in the Haredi sector lies the fate of women: rabbis have decreed bans on women driving, installed modesty patrols, enforced gender segregation on buses, and caused women’s faces to be omitted in newspapers and magazines. Whilst Haredi men attempt to render women voiceless and faceless, mainstream media does little better. Haredi women, however, are not all sitting silently in their floor-length clothing locked in their homes despairing their helpless fate. In a range of texts and genresthese women have been responding to their experiences. In this talk, Karen will draw on research from her recent book, Women of Valor, to highlight the work Haredi women are doing today.
Karen Skinazi is a senior teaching fellow at the University of Bristol. She has recently published Women of Valor: Orthodox Jewish Troll Fighters, Crime Writers, and Rock Stars in Contemporary Literature and Culture. Her writing about literature, race, gender, Jewish culture, and motherhood has appeared in academic journals and popular papers